Fleetwood mac rumours lyrics thunder only happens

Like a heartbeat In the stillness of remembering what you had And what you lost Don't stop, thinking about tomorrow, Don't stop, it'll soon be here, It'll be, better than before, Yesterday's gone, yesterday's gone. Why not think about times to come, And not about the things that you've done, If your life was bad to you, Just think what tomorrow will do. All I want is to see you smile, If it takes just a little while, I know you don't believe that it's true, I never meant any harm to you.

Don't you look back, Don't you look back. And I wish you all the love in the world, But most of all, I wish it from myself. And the songbirds keep singing, Like they know the score, And I love you, I love you, I love you, Like never before, like never before. I hope you won't mind if I email you. He didn't like the way it made him feel. So when Stevie wasn't needed in the studio one day, Lindsey convinced the band to exclude it from the album.

And because with him, it was always his way or the highway, he convinced them to agree with him. He made Mick tell Stevie Nicks outside in the parking lot later on, when he decided to replace "Silver Springs" with "I Don't Want to Know", which was a song Stevie wrote before they joined Fleetwood Mac and were a duo. She was pretty angry, to say the least. And to add insult to injury, they put it as the b-side to "Go Your Own Way". Song Meaning The singer and her lover have broken up. The reason is because her lover wants to be free to do whatever he wants and doesn't want to so committed to the relationship.

She's saying that after he goes and lives his life of freedom, at the end of the day he'll just be lonely and reminiscing on the relationship they once had. The singer is hoping that he'll truly realize what he's lost. She also says that she wanted to "wrap herself around his dreams" which basically means that she was going to be there for him in the long run when his days of partying or doing whatever it is he wants to do is over.

When he's all done having his fun and living out his life he'll realize that he's all alone. No Replies Log in to reply. General Comment this song is about guys abusing relationships mainly. ME Awe, I'm sorry hun. Flag denise on June 19, General Comment this song is true about many relationships and guys in general.

General Comment But imagine it was marijuana brownies. Then Stevie's mouth would be full of brownies. That would be funny. I had cocaine brownies one time and they gave me brain damage.

I got released from the nervous hospital last week. Stevie Nicks is hot. I had a picture of her back in the 70s and she was definately a boner of the month if ya know what I mean.

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I had lots of dreams about her, they were naughty dreams. Once I had a dream where I dressed up like Pocahontas and stuck a lawn dart into my skull, that was mostly from the coke. I heard that Lindsay Buckinham got Herpes, but that may just be a rumour. If it wasn't he should write a song about dreaming that his Herpes went away and then he could sing it to school children and tell them not to have sex with crack whores, then Stevie can talk about her dreams.

I had a dreams about her once, but that was a long time ago.

I gotta take a dump. Later dudes. I just LOVE your style of humor. Flag bobbirch on March 02, General Comment I always put something at the end that says there's hope. You know, 'When the rain washes you clean you'll know. I love the song Dreams. I never get tired of singing Dreams. That's why these songs [on Rumours] are timeless, I think. And that's why they're timeless to me and that's why I can walk out on the stage today and still sing them And if I could even get through it I'd be lucky.

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It took another eight months after that , but the tracks were all done there. Um, while they're doing all kinds of stuff and there's nothing for me to do, I went next door to Sly Stone's studio within the building, this big like black and red room with a kind of a stairway that went down into this like kind of tunnel thing where people would set up and play around this like light house sort of setup.

And I spent about an hour in there, and then I went back in to Fleetwood Mac and actually was brave enough to just play, play it for them, cause I really thought it was good, [smiles] and uh, and they liked it and we recorded it that night. That is the story of Dreams. I write philosophically, he writes angry! So yes, a lot of the stuff that, you know, little sentences or stuff that he would say would upset me! However, as a songwriter, I have to respect that he's gonna write about what's happening to him, and so am I.

So I could never say to him, you know, back off! I mean, maybe we would have killed each other if we hadn't have been able to write those songs, you know General Comment Funny how every woman assumes that only guys can be like this. McVie changed her mind after Buckingham "fashioned three sections out of identical chords, making each section sound completely different. He created the impression that there's a thread running through the whole thing. In the United States, "Dreams" reached the number-one spot on the Billboard Hot chart on June 18, , and held it for one week.

On the Adult Contemporary chart, "Dreams" was Fleetwood Mac's highest charting single during the s when it reached number Oakenfold and Osborne released "Dreams" in under the name Wild Colour.

It was then featured on Oakenfold 's album Perfection: A Perfecto Compilation. The Corrs originally recorded "Dreams" for Legacy: The cover version was originally recorded similar to the original until Oliver Leiber transformed the recording into a dance and house track mixed with a violin and tin whistle hook and a rhythmic bassline.

It was then remixed by Todd Terry for single release and became the first big hit for The Corrs in the UK, reaching number 6 in the UK singles chart and staying in the chart for 10 weeks. The Corrs' second studio album, Talk on Corners , was then re-released with "Dreams" added. Patrick's Day, which was also Caroline Corr 's 25th birthday. Billboard wrote about the song: In an effort to better connect with the kids of crossover radio, club icon Todd Terry has been enlisted to remix the song with a more forceful disco sound. It was a wise move that gives this single a fighting chance in drawing the positive attention of the pop masses.

Durations for tracks 1 listed as 3: The radio edit is actually longer than the album version. The single was released in Germany, South Africa and Australia with the same track listing - and wrong track lengths - but with different covers. From Wikipedia, the free encyclopedia.

CD single inch single. Dance-pop trance house. Paul Oakenfold Steve Osborne.

Dance-pop folk rock house. Retrieved 23 May Blender Magazine. Retrieved 1 January Official Charts. Retrieved 27 May Single Reviews" PDF. Billboard magazine , page