Fleetwood mac 500 greatest albums

Cobain also fought to maintain his underground honor. Ultimately, it was a losing battle, but it is part of this album's enduring power. Vig recalls when Cobain was forced to overdub the guitar intro to "Teen Spirit" because he couldn't nail it live with the band: He wanted to play [the song] live all the way through.

Bob Dylan once introduced this album's opening song, "Tangled Up in Blue," onstage as taking him 10 years to live and two years to write. In fact, he wrote all of these lyrically piercing, gingerly majestic songs in two months, in mid He was so proud of them that he privately auditioned almost all of the album, from start to finish, for pals and peers including Mike Bloomfield, David Crosby and Graham Nash before cutting them in September — in just a week, with members of the bluegrass band Deliverance.

But in December, Dylan played the record for his brother David in Minneapolis, who suggested recutting some songs with local musicians. The final Blood was a mix of the slow, pensive New York sessions and the faster, wilder Minneapolis dates. Together, they frame the gritty anguish in some of Dylan's most passionate, confessional songs — from adult breakup ballads like "If You See Her, Say Hello" to the sharp-tongued opprobrium of "Idiot Wind," his greatest put-down song since "Like a Rolling Stone.

Fleetwood Mac made "Rumours" amidst rifts | MPR News

Yet he had never turned so much pain into so much musical splendor. This is what Britain sounded like in late and early Rescued from dead-end gigs in New York by ex-Animal Chas Chandler, Hendrix arrived in London in September , quickly formed the Experience with bassist Noel Redding and drummer Mitch Mitchell and in a matter of weeks was recording the songs that comprised his epochal debut — which stands four and a half decades later as rock's most innovative and expressive guitar record.

Hendrix's incendiary playing was historic in itself, the luminescent sum of his chitlin-circuit labors in the early Sixties with Little Richard and the Isley Brothers and his melodic exploitation of amp howl. Hendrix made soul music for inner space. That January, the Beatles were on the verge of a breakup, exhausted and angry with one another after the disastrous sessions for the aborted Get Back LP, later salvaged as Let It Be [see No. Determined to go out with a sense of recaptured glory, the group reconvened at EMI's Abbey Road Studios to make its most polished album: There was no thematic link, other than the Beatles' unique genius.

And Lennon, McCartney and Harrison reputedly sang more three-part harmony here than on any other Beatles album. Let It Be was the group's final release, but this album was its real goodbye. It was no idle boast. Much of what we take for granted in rock would not exist without this New York band or its seminal debut: Recorded dirt-cheap at a studio that was literally falling apart, it is a record of fearless breadth and lyric depth. Singer-songwriter Lou Reed documented carnal desire and drug addiction, decadence and redemption, with a pop wisdom he learned as a song-factory composer for Pickwick Records.

Cale introduced the power of pulse and drone from his work with minimalist composer La Monte Young ; guitarist Sterling Morrison and drummer Maureen Tucker played with tribal force; Nico, a German vocalist added to the band by manager Andy Warhol, brought an icy femininity to the heated ennui in Reed's songs.

• Fleetwood Mac made "Rumours" amidst rifts.
• download bluestack app player for mac!
• NARROW RESULTS!
• apple mac dock windows 7 free download.
• mac miller doodling in the key of c sharp mp3 download.
• java 7 for 32 bit mac!

This painterly masterpiece would become one of the most important, influential and popular albums in jazz. But at the time it was made, Kind of Blue was a revolution all its own, a radical break from everything going on. Turning his back on standard chord progressions, trumpeter Miles Davis used modal scales as a starting point for composition and improvisation — breaking new ground with warmth, subtlety and understatement in the thick of hard bop.

Davis and his peerless band — bassist Paul Chambers, drummer Jimmy Cobb, pianist Bill Evans, and the titanic sax team of John Coltrane and Cannonball Adderley — soloed in uncluttered settings, typified by "melodic rather than harmonic variation," as Davis put it. Two numbers, "All Blues" and "Freddie Freeloader" the latter featured Wynton Kelly at the ivories in place of Evans , were in bar form, but Davis' approach allowed his players a cool, new, collected freedom.

Therefore, you will hear something close to pure spontaneity in these performances. Phillips told them to "back up and do it again. But the man who would be King was officially on wax. Bridging black and white, country and blues, his sound was playful and revolutionary, charged by a spontaneity and freedom that changed the world. Incredibly, it took more than 20 years for Presley's Sun output to be properly collected on a LP — which has since been superseded by this double-CD chronicle of the King's beginnings at Sun.

It collects everything he cut at the studio, including alternate takes and the acetate he recorded as a gift for his mother as a shy and awkward recent high school graduate. They wrote the songs while on retreat with the Maharishi Mahesh Yogi in India, taking a break from the celebrity whirl. As John Lennon later said, "We sat in the mountains eating lousy vegetarian food and writing all these songs. Yet the creative tension resulted in one of the most intense and adventurous rock albums ever made.

Lennon pursued his hard-edged vision into the cynical wit of "Sexy Sadie" and "Happiness Is a Warm Gun," but also infused "Julia" and "Dear Prudence" with childlike yearning. Released on May 16th, , rock's first studio double LP by a major artist was, as Dylan declared in , "the closest I ever got to the sound I hear in my mind… that thin, that wild-mercury sound.

After several false-start sessions in New York in the fall of and January with his killer road band the Hawks — "One of Us Must Know Sooner or Later " was the only keeper — Dylan blazed through the rest of Blonde on Blonde's 14 tracks in one four-day run and one three-day run at Columbia's Nashville studios in February and March The pace of recording echoed the amphetamine velocity of Dylan's songwriting and touring schedule at the time.

Amid the frenzy, Dylan delivered some of his finest, clearest songs of comfort and desire: Produced with no-surrender energy by legendary Seventies studio madman Guy Stevens, the Clash 's third album skids from bleak punk "London Calling" to rampaging ska "Wrong 'Em Boyo" and disco resignation "Lost in the Supermarket".

The album was made in dire straits too. The band was heavily in debt and openly at war with its record company. He threw chairs around the room "if he thought a track needed zapping up," according to Strummer. The album ends with "Train in Vain," a rousing song of fidelity unlisted on the back cover because it was added at the last minute that became the sound of triumph: A dirty whirl of blues and boogie, the Rolling Stones ' double LP "was the first grunge record," guitarist Keith Richards crowed proudly in a interview. In the existential shuffle "Tumbling Dice," the exhausted country beauty "Torn and Frayed" and the whiskey-soaked uplift of "Shine a Light," you literally hear the Stones in exile: Exile is rife with allusions to their outsider status: The album's cover is a collage of freakish American characters, and on "Sweet Black Angel" they toast imprisoned activist Angela Davis — one set of renegades to another.

The music rattles like battle but also swings with clear purpose on songs like "Rocks Off" and "All Down the Line. Whatever people throw at us, we can still duck, improvise, overcome. Richards recorded his jubilant romp "Happy" with just producer Jimmy Miller on drums and saxman Bobby Keys — while waiting for the other Stones to turn up for work. Exile on Main Street is the Stones at their fighting best, armed with the blues, playing to win.

I realized that I had to put my own fantasies behind me if I wanted to write songs that would reach the souls of people. I wanted them to take a look at what was happening in the world. From its rich, string-suffused grooves to its boundless sense of possibility, What's Going On is the Sgt. Pepper of soul. Gaye was determined to shatter Motown's pop formula and address pressing social issues.

Motown founder Berry Gordy was not pleased. He claimed that "What's Going On" was the worst song he had ever heard. Gaye responded that he would never record for Motown again unless "What's Going On" was released as a single. After initially being rejected by Motown's quality-control committee, it was; when the song became a Top Five hit, the album — and a burst of socially conscious music from Motown — followed soon after. Working amid a haze of marijuana smoke, Gaye made one intuitively brilliant decision after another — from letting the tapes roll as his friends mingled to recording the rehearsal exercises of saxophonist Eli Fontaine.

When Fontaine told Gaye that he had just been goofing around, Gaye replied, "Well, you goof exquisitely. Thank you. Producer George Martin described Rubber Soul as "the first album to present a new, growing Beatles to the world," and so it was. The moptops were evolving in remarkable ways.

Lennon's "Nowhere Man," which he later acknowledged as a depressed self-portrait, and the beautifully reminiscent "In My Life" both reflect the more serious and personal style of songwriting that Dylan had suddenly made possible. George Harrison 's sitar on "Norwegian Wood" — the first time the instrument was used in a pop song — and Paul McCartney 's fuzz bass on "Think for Yourself" document the band's increasing awareness that the studio could be more than a pit stop between tours.

About the author

Harrison called Rubber Soul "the best one we made," because "we were suddenly hearing sounds that we weren't able to hear before. Bruce Springsteen described the beginning of "Like a Rolling Stone," the opening song on Highway 61 Revisited , as the "snare shot that sounded like somebody'd kicked open the door to your mind.

Recorded in a staggering six days, Highway 61 Revisited — named after the road that runs from Bob Dylan 's home state of Minnesota down through the Mississippi Delta — is one of those albums that changed everything. The album ends with "Desolation Row," a surrealist night journey that runs 11 minutes. Dylan evokes a Hieronymus Bosch-like season in hell that seems to foretell all the Sixties cataclysms to come.

The album, which was released in August , made it thrillingly clear that what we now think of as "the Sixties" was fully — and irreversibly — under way. Part of the album's revolutionary impulse was visual. Klaus Voormann, one of the Beatles ' artist buddies from their days in Hamburg, Germany, designed a striking photo-collage cover for Revolver ; it was a crucial step on the road to the even trippier, more colorful imagery of Sgt. Pepper's Lonely Hearts Club Band , which would come less than a year later. Revolver signaled that in popular music, anything — any theme, any musical idea — could now be realized.

And, in the case of the Beatles, would be. The Beatles made a point of echoing them on Sgt. That gesture actually completed a circle of influence: With its vivid orchestration, lyrical ambition, elegant pacing and thematic coherence, Pet Sounds invented — and in some sense perfected — the idea that an album could be more than the sum of its parts.

When Wilson sang, "Wouldn't it be nice if we were older? Wilson essentially made Pet Sounds without the rest of the band, using them only to flesh out the vocal arrangements. He even considered putting the album out as a solo project, and the first single, "Caroline, No," was released under his own name. Its luxurious sound conveys a heartbreaking wistfulness, and the deeply personal songs, which Wilson co-wrote primarily with lyricist Tony Asher, bid farewell to the innocent world of the Beach Boys' fun-in-the-sun hits.

Unfortunately, Capitol Records proved no more enamored of Pet Sounds than had Love; the label considered not releasing it at all. Not yet vindicated by history, Wilson withdrew further into his inner world. Issued in Britain on June 1st, , and a day later in America, Sgt. For the Beatles , it was a decisive goodbye to matching suits, world tours and assembly-line record-making.

At the same time, Sgt. Pepper formally ushered in an unforgettable season of hope, upheaval and achievement: In its iridescent instrumentation, lyric fantasias and eye-popping packaging, Sgt. Pepper defined the opulent revolutionary optimism of psychedelia and instantly spread the gospel of love, acid, Eastern spirituality and electric guitars around the globe.

No other pop record of that era, or since, has had such an immediate, titanic impact. Pepper is rich with proof: The first notes went to tape on December 6th, But Sgt.

1. mac os x snow leopard installation on pc?
2. mac password manager reviews 2011.
3. The Rolling Stone Hall of Fame: Fleetwood Mac’s ‘Rumours’.
4. voice of big mac on my little pony;
5. league of legends launcher wont open mac.

Until then, they had made history in the studio between punishing tours. Off the road for good, the Beatles were free to be a band away from the hysteria of Beatlemania. McCartney went a step further. The Pepper premise was a license to thrill. It also underscored the real-life cohesion of the music and the group that made it. Of the hours the Beatles spent making Sgt. And Sgt. Pepper was also the first rock album to incorporate complete lyrics to the songs in its design. Yet Sgt. Pepper is the Number One album of the RS not just because of its firsts — it is simply the best of everything the Beatles ever did as musicians, pioneers and pop stars, all in one place.

Share on Facebook Share on Twitter. Mercury, Rock's greatest live double LP is an unbeatable testimony to the Allman Brothers ' improvisational skills, as well as evidence of how they connected with audiences to make jamming feel communal. Def Jam, Loud, obnoxious, funky, avant-garde, political, hilarious — Public Enemy 's brilliant second album is all of these things, all at once.

Impulse, Two important things happened to John Coltrane in Island, Bob Marley said, "Reggae music is too simple for [American musicians]. Elektra, After blowing minds as the house band at L. Warner Bros. Elektra, "When I did that album," singer Arthur Lee said, "I thought I was going to die at that particular time, so those were my last words. Asylum, In pursuit of note-perfect Hollywood-cowboy ennui, the Eagles spent eight months in the studio polishing take after take after take. RCA, This album documents one of the most elaborate self-mythologizing schemes in rock, as David Bowie created the glittery, messianic alter ego Ziggy Stardust "well-hung and snow-white tan".

Capitol, "Big Pink" was a pink house in Woodstock, New York, where the Band — Bob Dylan 's ''66 backup band on tour — moved to be near Dylan after his motorcycle accident. London, The Rolling Stones ' final record of the Sixties kicks off with the terrifying "Gimme Shelter," the song that came to symbolize not only the catastrophe of the Stones' free show at Altamont but the death of the decade's utopian spirit. Columbia, "It's very complicated to play with electricity," Bob Dylan said in the summer of Reprise, "The Blue album, there's hardly a dishonest note in the vocals," Joni Mitchell told Rolling Stone in Atlantic, On their first album, Led Zeppelin were still in the process of inventing their own sound, moving on from the heavy rave-ups of guitarist Jimmy Page 's previous band, the Yardbirds.

WEA LP. High Quality Vinyl! The new compilation touches on every era in the band's rich history and offers a deep dive into Fleetwood Mac's expansive catalog by bringing together essential tracks released between and Pressed at Pallas! Special Merit: Pressed at Pallas in Germany! No introduction needed for this fabulous Stereo release. Arguably one of the greatest blues recordings laid down in the last 40 years! Just checking out the track listing and personnel says it all.

This 3LP collection serves as a worthy companion to the classic album Live. Warner Brothers Rhino g 3LP.

500 Greatest Albums | Rolling Stone

Vinyl LP Reissue! Bare Trees is the sixth studio album by British rock band Fleetwood Mac, released in This is their last album to feature Danny Kirwan. In the wake of the band's success in the mids, Bare Trees peaked at No. Warner Brothers Rhino LP. Fleetwood Mac's first compilation is a hodgepodge of tracks from their first two albums, singles and sessions where Peter, John and Mick backed up Chicago piano legend Eddie Boyd.

Includes the original album with newly remastered audio on CD and LP; rare and unreleased studio and live recordings; plus a DVD with 5. Pressed from the Original Master! Sometimes known as "Peter Green's Fleetwood Mac," the self-titled album was their debut released in The music includes a mixture of blues covers and originals written by Peter Green and Jeremy Spencer. A Must Have LP!!! Reprise LP. Cut from Original Master Tapes! Classic Album! Fleetwood Mac, the self-titled debut album, was released in , and was one of the highlights of the late British Blues movement, climbing to the 4 slot in the UK album charts and managing to stay in the charts for 37 weeks.

This album is not to be confused with the release by the Peter Green version of the band. Kiln House is the fourth album by British rock band Fleetwood Mac, released in Christine McVie was present at the recording sessions and contributed backing vocals and cover art. Future Games is the fifth studio album by British rock band Fleetwood Mac, released in Without the s leanings of guitarist Jeremy Spencer, the band moved further away from blues and closer to a melodic pop sound. Rhino g LP.