Fleetwood mac 2012 tour uk

It felt fresh and exciting, so many great songs, a spectacular rhythm section and two of the greatest voices ever. Best of all, we sounded good together. It was a natural fit.

• Fleetwood Mac cancel tour dates as John McVie has cancer - BBC News.
• The band play three dates in total at The O2..
• record your screen software for mac.

Dates for Fleetwood Mac's upcoming tour have yet to be announced. In the case of Fleetwood Mac , it's not difficult to curate a playlist of hits. After all, they've scored 16 that have cracked the Top For those looking to dig deeper than the obvious songs, have a listen to these 7 diamonds that might have flown by like a "Songbird" under the radar, but make for essential Fleetwood Mac listening just the same. As the saying goes, first impressions are everything. Tuneful pop sensibilities and hooks abound, led by Buckingham's animated voice, showers of heavenly harmonies and a rock-steady rhythm section.

Check Buckingham's deft slide guitar break as well. Despite the track's upbeat nature, upon closer listen there's a troubling relationship issue at play, a theme the group would explore ably on Rumours. In this case, the couple presumably Buckingham and Nicks is so happy together on Mondays but come Fridays they take a bad turn — positing how intense feelings can turn on a dime.

• spring wallpaper for mac desktop.
• The GRAMMYs!
• why is my mac running slow yahoo;
• embed fonts in word mac 2008;

Buckingham's dobro lines, John McVie's thundering bass, Fleetwood's inventive percussion, the harmonic blend of Buckingham and Nicks, and Christine McVie's reverb-drenched background vocals muster a musical depth not found elsewhere on Rumours. The stronger link in "The Chain" is the spooky jam that commences at the three-minute mark and twists and turns until fade-out. Gentle-as-a-feather dynamics support throughout, propelled by Buckingham's delicate guitar swells and shimmery harmonics. The original recording has been included on recent expanded reissues of Rumours.

Rather than assemble Rumours II, Fleetwood Mac charted a rebellious direction with Tusk , an ambitious double album masterminded by Buckingham that is perhaps best described as their chaotic version of the White Album. This insular song finds an interesting middle ground with a crooning Buckingham innocently pleading over a chiming acoustic track, anchored by a boxy, lo-fi drumbeat.

The result is a delectable mix of sweet and melancholy. There are lovely voices and then there is Christine McVie's voice. Running counter to Buckingham's oddball leanings and Nicks' mysticism on Tusk , McVie brought her honey-laced contralto and literate pop songcraft to the party, with songs like "Never Forget" dripping with romantic sentiment. As with 's "Rhiannon," the A minor tonal center in "Straight Back" provides a backdrop that somehow casts a more hypnotizing tint on Nicks' voice. The tune is classic Mac through and through with layered harmonies, howling Buckingham guitar lines and a sturdy rhythm section framework, topped with rare vocal interplay between Nicks and Christine McVie.

While the lyrics are surely open to interpretation, an interesting theory comes courtesy of fan site StevieNicks.

Fleetwood Mac announce 12222 UK and Ireland shows

Once again, Christine McVie's pop offerings are nestled comfortably in the middle of Buckingham's edginess and Nicks' fairy tales. In addition to scoring with the hits "Everywhere" and "Little Lies," deeper McVie cuts like "Mystified" add proof that she benefited the most from Tango In The Night 's slick, dreamy soundscapes. More Fleetwood Mac: Since its inception in , MusiCares has provided a safety net for music people in times of need, including resources and services covering a wide range of financial , medical and personal emergencies.

It's also doubled as an important reminder of the critical work that MusiCares undertakes year-round, oftentimes with the honorees themselves providing compelling testimonials. I think a lot of this organization. They were able to at least make his life comfortable, tolerable to the end. That is something that can't be repaid. Any organization that would do that would have to have my blessing.

Leaving his mark on the world of giving, the late Petty supported a variety of causes throughout the years. This included Los Angeles-based program for the homeless Midnight Mission, for which Petty played numerous benefit concerts. He also supported Safety Harbor Kids, which helps orphan, foster and homeless children, environmental organization Rock the Earth, and the Special Olympics. King tirelessly works to give back. It was only recently that they gained almost universal approval, uniting music buffs, hipsters, baby boomers and millennials. Lorde is inspired by them too: And yet it seems unlikely that any of the artists so influenced by Fleetwood Mac could go through the same turmoil and emerge intact.

Sure, a few attempt to capitalise on rift rumours see Fifth Harmony launching a Camila Cabello stand-in off the stage at the VMAs , but so fervent is the hour news cycle that the ones that do quickly implode. Somehow, it has always been through exposing their quarrels, and diving headfirst into their fractured relationship, that the band have thrived.

That love, of course, is as precarious now as ever.

Fleetwood Mac: 'we'll tour until we drop dead' - Telegraph

For Fleetwood Mac, playing music and falling out are inextricably linked. The band tour the UK in June You can find our Community Guidelines in full here. Your account has been blocked for contravening the community guidelines. Want to discuss real-world problems, be involved in the most engaging discussions and hear from the journalists? Try Independent Minds free for 14 days. Anyone can post in open comments.

Please continue to respect all commenters and create constructive debates. Independent Minds Comments can be posted by members of our membership scheme, Independent Minds. It allows our most engaged readers to debate the big issues, share their own experiences, discuss real-world solutions, and more.

Our journalists will try to respond by joining the threads when they can to create a true meeting of independent minds. The most insightful comments on all subjects will be published daily in dedicated articles. You can also choose to be emailed when someone replies to your comment. The existing Open Comments threads will continue to exist for those who do not subscribe to Independent Minds.

BBC News Navigation

Due to the sheer scale of this comment community, we are not able to give each post the same level of attention, but we have preserved this area in the interests of open debate. Want to bookmark your favourite articles and stories to read or reference later? Try Independent Minds free for 14 days to access this feature. Find your bookmarks in your Independent Minds section, under my profile. Join us? Final Say. Long reads. Lib Dems. US Politics. Theresa May. Jeremy Corbyn. Robert Fisk. Mark Steel. Janet Street-Porter. John Rentoul.

Chuka Ummuna. Shappi Khorsandi.

FLEETWOOD MAC NEWS ON FACEBOOK

Gina Miller. Our view. Sign the petition. This is almost impossible, because Buckingham is such a singular singer and guitarist. Do you pick a soundalike or go for originality with a left-field pick? I'm more inclined to pursue the latter route, which brings me to my slightly offbeat selection: Todd Rundgren. He's one of the most versatile songwriters in rock history, veering from art-pop experimentation to slick soft-rock to full-blown prog, and he's a capable multi-instrumentalist with an ear for arrangements.

He'd probably enjoy retooling the deep cuts from Tusk and Mirage -- can you imagine his rendition of "Walk a Thin Line"? Since he's been on our minds so much lately, it should be said that Stevie Nicks' one-time songwriting partner Prince would have been absolutely dazzling in this role. As for more realistic options? David Byrne would be pretty interesting. Like Buckingham, he can make paranoia and nervous energy sound appealing as hell.

I'm guessing they'll probably play it, just because Stevie Nicks and Mike Campbell both had a hand in it, and there's still some grieving over Tom Petty's death. So it makes sense to play it, but I'm not so sure they should. Where do you stop if you start allowing solo songs to seep into a Fleetwood Mac set list? That would represent an obvious play for emotion from their fans. Would Neil Finn sing Tom Petty's part? Yeah, he can hit those notes without breaking a sweat, but he's completely wrong for that song.

I can maybe see them trying it at rehearsals but not making the final cut. They will and should. It will be a nice tribute to Petty and give Mike Campbell and Stevie Nicks a chance to shine -- a centerpiece song, like she and Buckingham used to do live. I would guess they will do it and they should. Why not? It ties to both Stevie Nicks and Mike Campbell, and it falls in line with their desire to mix in things they haven't played before. It feels inevitable they'll maximize the hits at-hand -- it's a way to make the best of the situation, like, "Hey, here's another toe-tapper to distract you from Lindsey Buckingham not being up here!

This is Fleetwood Mac, so play Fleetwood Mac songs, please. Absolutely, it would be a very logical tribute, and the crowd would go crazy for it. Plus, they've made a big shakeup to the lineup, it only makes sense to carry that spirit over into the set list. No way. This song isn't even remotely connected to the Fleetwood Mac universe. Start playing Crowded House, and this will take on the feel of a jukebox show. Fleetwood Mac have plenty of their own music to reach back for. It's almost an insult to Neil Finn to do that: They might, but I feel like they shouldn't.

Fleetwood Mac regroups to launch a 34-city tour

Eagles concerts bring in solo material that fits the rest of the band's catalog, but this song is very different from Fleetwood Mac material, and I think would feel out of place. That's a perfect song for this lineup to tackle and would actually fit them very well. I bet they put this one into the set. This one feels a bit too left-field, but it wouldn't shock me. Fantasy" onstage. Again, it feels a bit cheap, so I'd vote against it.

If you're gonna shake things up, take it as an excuse to dig deeper into Mac history and dust off some rarely played Bob Welch -era material. Another big yes, for different reasons. It would be a good way to show exactly what Finn is bringing to the table. Plus, presumably a large chunk of each concert will be dedicated to songs written by somebody who is not there anymore, so why not show off one that the "new guy" wrote? On a scale of , how interested would you be in an album from this lineup?

Would you be more or less interested in new studio work from this lineup?