Album or cover fleetwood mac rumours

In this era, of course, Rumours was No. It was the ultimate easy listening album, a mere refinement on what felt like an old L. But for a music geek looking for new adventures in music, what was great about were the brash fresh faces and sounds coming out of New York and London. Having come from a generation that saw huge changes to the musical landscape The Beatles released "I Want to Hold Your Hand" in and "A Day in the Life" just three years later , I always expected music to mine new territory.

But at some point, it got comfy and really bloated and we wound up with Kansas, The Doobie Brothers and the Captain and Tennille. So felt like one generation giving the big finger to the the previous one, and it felt good.

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Rock was shedding its skin; it was a constant amazing rush of wonder and surprise. Attitudes changed. My musical heroes were more likely to be DIY kids than superstars in supergroups. The shows I went to moved from soulless stadiums and arenas to clubs and found spaces. Small labels with tightly defined sounds were popping up everywhere, another middle finger to the corporate bloat that shaped and controlled the music we heard.

We think of the Internet as redefining the music industry, but it had a precursor here. We're a lot more territorial about music we share and hear in our teens and 20s. Back in , my world had zero room or tolerance for a middle-of-the-road, though pretty, rock band like Fleetwood Mac. The shiny production on Rumours felt planned and orderly, which made it suitable for moms and dads in their 30s and up but not for unsettled year-olds and teens.

Which makes me wonder why so many in this generation are latching on to that sound. This morning, 35 years after its release, I thought I'd give Rumours another chance and wirelessly streamed it to my home stereo. For the most part that perfect shine didn't sound as shiny. Brought to You by McDonald's" Interview. Interviewed by VEVO. December Retrieved 15 December USA Today.

Decade's Greatest Albums". June Cassell Illustrated. Rumours — Album Reviews". Pitchfork Media. Retrieved 8 February Hung Medien in German. Archived from the original PHP on 24 February Retrieved 31 January Hung Medien in Dutch. Archived from the original on 5 October Complete Edition — Roppongi, Tokyo: Oricon Entertainment.

Retrieved 5 January Fleetwood Mac — Rumours " in German. Media Control. Retrieved 10 December Australian Recording Industry Association. Retrieved 9 May Music Canada. Retrieved 3 April Archived from the original on 1 February Retrieved 17 May Bundesverband Musikindustrie. Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.

Retrieved 5 August Enter Rumours in the "Artiest of titel" box. Recorded Music NZ. Retrieved 11 March Archived from the original on 29 September Retrieved 29 September Retrieved 13 October Select albums in the Format field.

Fleetwood Mac - Rumours (Vinyl, LP, Album) | Discogs

Select Platinum in the Certification field. Official Charts Company. Brackett, Donald Fleetwood Mac: Greenwood Publishing Group.

Brunning, Bob The Fleetwood Mac Story: Rumours and Lies. Classic Albums — Fleetwood Mac: Rumours DVD. Eagle Rock Entertainment. Rooksby, Rikky The Complete Guide to Their Music. Fleetwood Mac Mr. Extended Play. Book Category.

20 Things You Might Not Know About Fleetwood Mac’s ‘Rumours’

Grammy Award for Album of the Year. Billboard Year-End number one albums. Calypso — Harry Belafonte Camelot — Original Cast West Side Story — Soundtrack Music from Hello, Dolly! Music from Mary Poppins — Soundtrack More of the Monkees — The Monkees Jesus Christ Superstar — Soundtrack Harvest — Neil Young The World Is a Ghetto — War Greatest Hits — Elton John. Frampton Comes Alive! Rumours — Fleetwood Mac Saturday Night Fever — Soundtrack The Wall — Pink Floyd Asia — Asia Thriller — Michael Jackson Born in the U.

Whitney Houston — Whitney Houston Slippery When Wet — Bon Jovi Faith — George Michael Don't Be Cruel — Bobby Brown Mariah Carey — Mariah Carey Ropin' the Wind — Garth Brooks The Bodyguard — Soundtrack The Sign — Ace of Base Jagged Little Pill — Alanis Morissette Spice — Spice Girls Music from the Motion Picture — James Horner Millennium — Backstreet Boys The Eminem Show — Eminem Get Rich or Die Tryin' — 50 Cent Confessions — Usher So I wrote verses for that bridge, which was originally not in the song and edited those in.

The lyrics would be the final link. Lindsey arranged and made a song out of all the bits and pieces that we were putting down onto tape. Sessions at the Record Plant in Sausalito, California could be tedious affairs, with little for Nicks to do. To keep the boredom at bay — and to keep friction with Buckingham to a minimum — she often sought refuge in an unused studio down the hall that had been built for funk renegade Sly Stone.

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By all accounts it was quite an inspiring space, done up in full-tilt Seventies style. Even though he was mad with me at the time, Lindsey played it and then looked up at me and smiled. But, as musicians, we still respected each other.

We were coming at it from opposite angles, but we were really saying the same exact thing. Though very different from what Buckingham and Watts had played, the unlikely arrangement proved to be but a perfect fit for the track.

Why I've Never Liked Fleetwood Mac's 'Rumours'

I really had no idea, nor the ability to explain in musical terms, what I was ever doing in a particular song. His style baffled other stickmen as well. The effort took an entire day, and drained the goodwill of several studio techs. Restringing the guitar three times every hour was a bitch.

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6. How Fleetwood Mac’s ‘Rumours’ Became One of the Best Albums Ever?

But Lindsey had lots of parts on the song, and each one sounded magnificent. The final results were pure perfection, except for one problem. Oh, man! So we recorded everything all over again the next day, dispensing with the changing of guitar strings — we had to lose all of that so we could get Lindsey singing in the right key. I stopped what I was doing and I turned around and watched her. I was just amazed at how beautiful this song was. Rather than drown the melody with a full-band treatment, Caillat decided to try a stripped-down approach. I really wanted to set the mood!