Korg polysix vst download mac

These were all but incomprehensible on the original Wavestations, not least because you had to program each step of the four separate five-stage envelopes on individual pages. Here, the concepts remain obtuse, but at least you can see what's happening. It works something like this These are predetermined sets of pitch, filter, amplifier and panning parameters that apply specific, appropriate characteristics to your sounds such as piano, organ, brass, strings, and so on without you having to program numerous values.

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The natures of the Macros differ on each of the pages, but offer configurations appropriate to each. Of course, you are not limited to using the factory Macros, and as soon as you start to edit these elements of the sound, the Macro name changes to 'User', and the parameters are handled in the normal fashion.

The amount of sound contributed by each oscillator in a Patch is variable according to a two-dimensional Mix Envelope. This is much like dynamic automation of a mixer, except that the total contribution is always percent, whether this is delivered by a single oscillator, by two, or by four. You control the relative mix using 'Mixenv' as the envelope is called to determine how much each oscillator contributes at each of five points in time.

You can also decide whether the envelope will loop, and between which of these points. Editing the Mix Envelope. To illustrate this, I have created a four-oscillator patch and fashioned the simple Mix Envelope. The sound then travels along the line more properly called a 'vector' I have also set a Loop, so that — if I hold the key indefinitely — the sound loops repeatedly from Point 2 to Point 3. As it happens, this choice of waves and loop is rather poor and results in a discontinuous sound. No matter, I could have made a better choice of waves, and there are other options that let you morph more smoothly from one sound to another.

As you might expect from a synth of this complexity, this is isn't the end of the matter, because the Legacy Wavestation also allows you to modulate your position independently on both axes of the Mix Envelope using your choice of two modulators from a list of 13 sources. This means that, in addition to travelling around and looping within the mix path, the sound can be modulated between oscillators A and C and oscillators B and D in all manner of hideously complex ways.

This is the source of the Wavestation's ability to create evolving pads that are, in my view, unequalled by any synth before or since. And so we reach the deepest level in the Wavestation, the Waves themselves. But lest you think that there's little to discuss here, I must remind you that a Wave need not be just a single waveform sucked from the ROM, it can be as many as waveforms joined together, crossfaded, looped, and generally manipulated in an operation called Wave Sequencing.

This is not unique to the Wavestation.

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However, by allowing you to determine the duration and level of each Wave in a wave sequence, where the playback starts, the direction, how the sequence loops, how each stage crossfades to the next, how the sequence responds to modulation and controllers, and more, the Wavestation developed the idea far beyond anything else available in its day. Creating wave sequences on the graphical display.

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Strangely, creating a wave sequence on the original Wavestation was not as hard as you might imagine. A single page allowed you to select each Wave, its tuning, its level, its duration, the crossfade duration, the start point for a loop, the end point, and number of repeats. You can select Waves within the sequence and determine their parameters numerically, just as on the original Wavestation, but it's much simpler to list all the waves available, clicking on each to hear what you might be entering into the sequence, and then inserting the Wave as a new stage, or overwriting an existing one.

Korg Legacy Collection

Next, each stage in the resulting graphic has 'handles' that let you adjust the duration, level and crossfade time of the Waves. If you want to delete a wave, you just hold down the Ctrl key and click on it, and then select the Delete option from the pop-up menu that appears. It's elegant, it's simple, and it works beautifully. In series. The final element in the Wavestation 'engine' is its effects system.

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You can configure these in two ways, in parallel and series helpfully, the routings are displayed graphically, as you can see from the screenshots on the next page. You can use the 'FX Bus' settings in each of the Parts and the Pan settings in the Patches themselves to route the signals to the four effects busses. The names are the same, but they are very different entities. It would take more room than I have available here to describe the operation of the effects busses in detail, let alone each of the 55 effects offered, but the system is flexible enough that I was able to set up test configurations where, for example, a stereo chorus was placed in series before a 'live stage' reverb across busses A and B, while Busses C and D passed directly to the outputs.

I also tried a parallel setup where busses A and B passed through a stereo multi-tap delay, while busses C and D passed through a rotary speaker effect this configuration would be useful if you wanted to process two sounds — say, a guitar and a Hammond organ patch — with different treatments. Placing the effects processors in series above , and in parallel shown here. While this proved straightforward, the two mixers provided in each configuration make matters considerably more elaborate.

Called Mix3 and Mix4, these allow you to feed a proportion of C and D into the A and B busses, either before FX2 or after FX2, depending upon whether the Series or Parallel configuration is selected, and how the mix parameters are set. The amount and panning of each Mix can be modulated, and drop-down menus offer 14 mod sources, including the assignable MIDI controllers.

One further complication here wasn't present on the hardware Wavestations. Although they're part of the Effects section, I can't omit mention of the Wavestation's vocoders. Unfortunately, the Legacy Wavestation has no signal inputs, so you can only use the vocoding algorithms to affect internal sounds, as on the EX and SR hardware models. Given that you can use multiple Parts to construct a carrier, and multiple Parts to construct a modulator, the possibilities are still enormous, but the loss of the external inputs means that the vocoders' usefulness has been curtailed, which is a great shame.

To be honest, this seems wholly unnecessary. I can't imagine that it's beyond the ken of Korg to write a set of drivers that would route audio from a soundcard to 'virtual' signal inputs. Before starting to use the Legacy Wavestation, you'll want to set up the Global settings for your configuration. Importantly, this is where you determine whether wave sequences will run in synchronisation with a host application, with clock received over MIDI, or whether they're driven by the Wavestation's internal clock.

The Global page is also where you can define up to 12 User Scales. This was a sadly under-used feature on the original, and no doubt will remain so within the Legacy Collection! However, this did not mean that you had 32 effects units So, although you could decide which of the Performances in the 'Multiset' were routed to the effects or not and in what proportions, this was a far cry from having 16 Wavestations at your disposal. There was only one way to achieve this; you had to buy more Wavestations.

You can see where I'm going, can't you? By turning the Wavestation into a plug-in, Korg have been able to dispense with the Multi mode because — if your computer's processor can handle the load — you can launch multiple instances of the software. This won't affect many users, but it's worth noting nonetheless. The Write button in the upper window of the plug-in is context-sensitive and, depending upon which page you are editing, allows you to write Performances, Patches and Wave Sequences into the Bank and location of your choice. Neatly done!

Korg Legacy Collection (Part 1)

More seriously, the Legacy Wavestation has lost SysEx. On the originals, you could transmit, receive, or transmit and receive every parameter change in real time. This meant that you could sequence changes in the voicing as you played, and replay these performances. With two Wavestations hooked together, you could adjust both at the same time from one of the machines. This was a powerful capability that the Legacy Wavestation seems to have lost — certainly, firing SysEx from one of my hardware Wavestations to another produced the expected results on the hardware, but nothing when the SysEx was redirected to the Legacy Wavestation.

The loss of SysEx might have been ameliorated had the voicing parameters of the Legacy Wavestation been controllable from within your host application, but I can find no way to do this. If you have existing sequences containing real-time SysEx control messages, and you want to use these again, it seems that you cannot use the Legacy Wavestation to wholly replace your hardware synth s. Another minor problem involves the rate of the internal clock within the Legacy Wavestation.

Given the very different hardware involved, this is not surprising, although it's worth noting that the two original synths remain in perfect sync over periods lasting many minutes. Having said that, if you change the MIDI Clock rate with a wave sequence running, the Legacy Wavestation and the originals lose sync with one another. Another curious bug appeared when I tried some Vector Synthesis using my hardware Wavestation EX as the control source.

I couldn't find a mis-set parameter that caused this, but it wasn't a problem I just turned to the Global page and inverted the response of the Y-axis. Nonetheless, it seems to show that a couple of differences have crept in as the Wavestation code was rewritten for the Mac and PC.

This limited me to a maximum of, umm I accept that this will become less of a concern as computer power follows its inexorable upward curve, but I'm a little concerned that one third of a software package consumes half the power of a reasonably specified, one-year-old Mac. Having noted the negatives, let's turn to the positives For KLC-1 v1. In stalled everything, opened logic and when it tried to install the MS20 component it opened up a registration window which linked to the site.

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I just had to copy and paste the new code into the registration window and logic finished installing. This is great news. Ahh nice, I was wondering that as well. But using 64 bit words you can process 2 samples per clock cycle. Can a host DAW run in 32 bit with plug-ins running in 64 bit? Theoretically yes, practically no. The reverse is the common case, when you need to support older plug-ins — for example bit Logic Pro can run legacy bit audio units, but bit Logic Pro cannot run bit AUs.

One big difference of bit mode is that your registers are 64 bits wide, potentially allowing a single instruction to do twice as much work as it would in bit mode.

Korg Legacy Collection Series for Download

Yeah sure, but you will see FL Studio bit will suck. Get a life and learn the lesson. Time will tell I was right all along. It offers presets with plenty of room for your own combinations. The MDE-X effects processor offers everything you could want from reverbs and delays to distortion and even the MS's filter section is available as an effect. A virtual Korg microKontrol is built-in to the Legacy Cell too for real-time assigning and manipulation of any editable parameters, and it works instantly with a real microKontrol too! The bottom line with this whole package is great plug-ins, great sound, great results, great price!

In , the M1 created the workstation category and went on to become one of the top selling keyboards of all time, easily surpassing an amazing , units. The M1 software synthesizer reconstructs the M1 into an eight-part multi-timbral tone generator featuring up to notes of polyphony. Topping the list of software improvements are variable filter resonance, two Insert effects per part, and two Master effects. Korg Legacy Collection. VSE Rating. User Rating. Check Prices. Korg Legacy Collection Updated! Just got an email from Korg today announcing the re-branding Read more Korg legacy collection problem purchased the Korg legacy collection software on ebay a few days ago.

Korg Legacy collection I purchased the Korg legacy collection software on ebay a few days ago. Are you getting an authentic Native Instruments. Sequential Circuits. View the discussion thread.