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Perhaps use that entire sound as modulator for an FM oscillator, or route it through a comb filter?
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All generator modules, all signal paths, all effects are stereo. Although the possibilities are practically infinite, you will never be overwhelmed by needless complexity? Zebra's adaptive interface only shows the modules you are actually using. It's a fascinating and popular playground for sound designers, that's what Zebra is all about! That's the reason why thousands of free presets are available online.
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Delivery Notes On delivery you must inspect the goods carefully for damage as Inta Audio is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Inta Audio of such within three working days from the date of delivery. Returns Policy We ask that you follow these guidelines to help us process your return as quickly and efficiently as possible: Please keep your order reference to hand. Contact our Customer Services Team on or e-mail cs inta-audio.
We will then send you an RMA number and returns form which needs to be completed and sent back with the returned item s. If the order has been unpacked re-package it to ensure that it is being returned in its original condition. Please make sure all items relating to the product are returned, including manuals and cables. Returned items must be mailed within 10 days of when the RMA Number has been issued.
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The latest version, Zebra 2. There are many different screen sizes available, from x all the way up to the cinematic x Using its Modulation Matrix and MSEGs Multi-stage Envelope Generator , along with its many filter and distortion types, the possibilities for sound design are nearly endless. To get this article moving along, I decided to change things up a bit.
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Since Zebra has already had many reviews in the past, giving overviews of its basic functions and features, I will take a slightly different perspective. It is called the MSEG. There are four MSEGs in all, and each has identical controls and options. It is basically a customizable envelope that can be assigned to nearly anything for modulation.
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The MSEG presets you design can be saved and loaded for later use. To load them, left-click on the button on the right-hand side, or right-click on that same button for more options, which includes saving your own creations. As you skim through the Zebra presets that use the MSEG, you will find some very interesting ways that it has been used. Those same presets may help spark new ideas when you are creating your own. OK, so how does it work?
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It has a grid from left to right, and the envelope is a line with dots on it. These can be dragged up or down, and left or right. You can add up to 33 handles to the MSEG. The amount of modulation is determined in part by how far up or down the handles are placed. The timing on the grid is from left to right, so if you drag a point over to the left, it gives the MSEG less time to get to that point.
To assign it to a certain parameter, you just click on an unassigned control next to the one you want to modulate such as Tune or Volume, and select one of the four MSEGs in the list that appears.
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The third icon will only allow you move a handle up or down not left or right , and the others handles are not affected. The timing can be changed using the controls on the left side. It can sync it to different amounts, such as a Sixteenth, Quarter, or Note. You can also set it to Seconds, which is non-synced. Above that section are more controls that can affect the timing.
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Even if you have set the timing to Sixteenth, for example, changing the Attack, Loop, and Release can alter the timing as well. You have to set up a loop first, so let me go over that. You can easily assign a loop start and end point, so then it will just cycle the same pattern over and over. If you click and drag on the segment in between the handles, it will change its shape. Depending on how far you drag the segment left or right, it will give it a curved shape. Double-clicking on one of the segments will straighten it back out again.
Previously, I mentioned the Attack, Loop and Release controls. If you looped the section between the third and eighth handles for instance, the Attack control lets you adjust how fast it approaches the beginning of that loop. If the Attack is increased, it will go through the first and second handles on the grid at a faster rate.