Does final cut pro x work on mac mini
This machine could easily sit on your desktop and not annoy you or your co-worker. I read a recent review that the sound was pretty terrible out of the Mac mini. The Mac mini does have a headphone socket and I can see many editors sitting in offices with the machine on the desk and headphones on editing all day.
Although I worked the machine hard with rendering, the shell didn't get too hot. However I did feel the warm rush of air out of the back of the machine which caught me by surprise when the mini was angled away from me. I wouldn't have it in this orientation for continuous use, ie situated under a central monitor post with cables pointing at you.
Instead I suggest putting the cables and heat exhaust to the back. It will make plugging the headphones in a bit trickier, but I hate sitting in draught! The cache was set to both desktops respectively as the RAM in both runs at up to 3Gig speed. All render files were deleted before all tests. Unrendered, the Mac mini played the sequence back in Better Performance, but dropped frames on Better Quality. The iMac Pro played back in both settings without a problem. Both machines are connected to the same storage via 10GigE and renders and exports went to the respective desktops.
Well, the Mac mini beat the iMac Pro! This is because all of the conversion is done on the CPUs. Not really worth testing for Motion as apart from a few things like particles, Motion almost lives on the GPU.
How well does Apple’s new Mac mini run Final Cut Pro X? – MacDailyNews - Welcome Home
No, not a new breakfast cereal, but Compressor allows you to share the work out over connected machines. Well, when I say easy my first attempt failed, but that might be down to my slightly quirky network topology with the QNAP. To build a cluster, on the machines you want to add, open up a copy of Compressor. In the preferences, turn the option on for other computers to process batches. Then on the host machine, make a cluster from the available machines in the list. Here you can see we have got something very wrong! We will be revisiting this topic with the issue fixed when we have more time.
Then having named your cluster or other single machine , you can then toggle the processing destination in the dropdown menu on the bottom of the host machine's Compressor GUI.
To work properly and fast, all the machines need to be connected with 10GigE via a 10GigE switch. There is no limit to the amount of Mac minis you can have in a cluster. You'll probably run out of switch ports first! One note here. For distributed processing, it has to be a self contained movie that gets automatically diced and sliced and sent off to the cluster machines. Not what I expected. It is a component in building a modular system, which is a new thought considering that Apple has been criticised over the past few years for lack of upgradability in the Mac Pro and iMac Pro.
There are two reasons for this new direction. The first are Thunderbolt 3 connections giving the option of using an external GPU and therefore factoring out the limited onboard Intel offering. The second is the option of a 10GigE port. Being able to connect to high speed shared storage without going through an adaptor is a huge plus.
Take sever centres for example. Rack up rows of Mac minis connected with 10GigE and you have a facility that can get apps ready quickly. Once set up, the Mac mini is more than happy to run in a headless mode. I've worked with a few producers like that. This is also true of building a small Mac mini cluster to do the hard work of making all the different deliverables of an FCPX exported finished movie - while you carry on editing something else with your main machine.
It would make sense for a large production or facility house to have a rack of these that everybody could access when needed. This is a good reminder, as I mentioned at the beginning, to put together a list of all the custom tools and 3rd-party software you work with so that you can get everything installed at once. Hmm… I should follow my own advice.
Using the 2018 Mac Mini for Video Editing
Or, if you DO create a lot of effects, but can allow a little extra time for rendering to finish, the Mac mini will save you money over a faster system. Just because I had the time, I decided to see if I could get the system to drop frames. It is. Keep in mind this is an upgraded system using the faster, 6-core i7 CPU.
Final Cut Pro X is optimized for Apple hardware. Premiere is not optimized to the same extent, yet.
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I would expect similar results for After Effects. If your principle goal for a computer is editing, the Mac mini is an excellent choice. NOT because the Mac mini creates poorer-looking images, simply that the render times will be longer. In most cases, video compression is CPU-based. While I have not tested this yet, I would expect the new Mac mini to be an excellent video compression system.
As well, the best way to use a multi-computer network is when your media is stored on a server and consists of multiple movies.
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Using multiple computers to compress a single long movie into either H. Other codecs, including AVC-Intra, can also be segmented and distributed. And, while a single H. While 10 Gb Ethernet would give me ten times the speed, in order to take advantage of it, I would need to upgrade my server, replace my data switch, and re-cable my edit suites with upgraded Cat 6 Ethernet cabling.
Um, not today. For new setups, 10 Gb Ethernet is the way to go.
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This also makes for a simple setup using the Shared Computers feature in Compressor. The new Mac mini is very impressive for editing. The speed of its internal storage is breath-taking, the 6-core CPU has plenty of pep and the overall operation for editing is very smooth. I like the iMac because of its screen quality and its faster GPU. And, the Mac mini requires that you purchase a monitor, keyboard and mouse separately; items which are bundled with the purchase of an iMac. For new users, that raises the purchase price of a Mac mini. And… it has ports! This Mini with an eGPU will scream.
Very useful information once again, Larry. Some people need faster renders, others can live without them. Guess what! Not one problem. FCP X hummms. Best Regards, -Ray Fleischmann-. If it is affected, then you have that extra port on the Mini to try using for the sound card. I moved away from FireWire a long time ago. If it is downstream, it will run at FW speeds. I am now in week two running on the new Mac Mini with Premiere Pro. Adobe no longer supports my MacPro El Cap.
My work does not go beyond 1k editing. I have the 3.
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Thanks Larry. Thanks for the review. How do you think it will handle 4k video 8bit or 10bit with some titles, some color correction and maybe a few transitions? Color correction is heavily dependent upon the GPU. On the other hand, if all you want is timeline fluidity, using proxy media for your editing will solve that problem.
It all depends…. If all I need is a smooth timeline, use proxies. Keep in mind that as soon as you move to 4K media, you will also need high-speed external storage. That would make paying for a RX type GPU that the mini would likely be limited to internally a waste of money. After effects renders rely primarily on processor speed not GPU. GPU tends to be more for 3D oriented applications and plugins. Your email address will not be published. Access over 1, on-demand video editing courses. Become a member of our Video Training Library today!
November 17, at 1: Scott Newell says: November 19, at 6: