Format p2 card on mac

I've lost too many clips doing this, and I've even done side by side test, and 1 out of 5 times I do it, it corrupts a clip. I had one clip from my sister in law's wedding vid that got knackered, the xml lost the connection between the audio and video clips, and therefor any software that tried to read the clip would see the video, but not the audio. FCP wouldn't even import the bloody thing. Tried repairing, and a bunch of other demo softwares.

How to Recover Erased/Formatted/Deleted/Lost P2 Card Data?

I eventually opened the mxf's in QT and merged them together there, but not after hours of installing demo software and trying everything else. Not sure how I could open MXF's in QT, but it must have to do with one of the demo softwares that installed some drivers or extensions or something. I just set up a camera op friend with ShotPut P2, and it seems to be working well with the 5 slot panny reader. Might be a driver thing. He copies and creates backups with ShotPut, then uses P2Log to view and verify the clips and to do some rudimentary logging.

Seems to be working well, and it is simple enough for him to do in the field.

P2 Card Formatting : Panasonic Cameras

Then he informed me that he wouldn't be needing to hire me as a field tech anymore Matt Its more fun to ride a slow motorcycle fast than a fast motorcycle slow You should have at least got a day or two of "consulting" out of it. I too use ShotputP2. I think he was kidding. We'll see, but you never can tell. I've gotten plenty of easy work from him, so no hard feelings. I'm pretty sure he will be back for more training.

P2 Driver for Mac OS X Snow Leopard

P2 HD is a full production quality, high definition recording system that utilizes removable solid state memory cards. This approach eliminates the mechanical wear and environmental limitations of tape, hard disk, and optical disc based systems. P2 HD ensures the highest reliability, especially in challenging conditions of extreme temperature, shock, and vibration. Traditionally video is shot onto tape.

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This meant that 1 hour of material now took only 60GB but would still need to be digitised from a VTR transport mechanism either off the camcorder or from an external VTR. The idea is that a common compression scheme does not have to always shoot onto tape - instead, a new workflow exists whereby a non-volatile memory card is used as a transitory medium, prior to archiving onto hard disks, where it will remain for life! This is a relatively new idea, which is interesting since the cost of hard drive storage has plummeted so that hard drive storage is now cheaper than buying tapes!

P2 is no longer a new HD format - the workflow is now very proven and the native codecs widely adopted by post-production software applications. Invented by Panasonic, this workflow uses non-volatile memory sticks to record pictures on for easy post production. The idea is that pictures can be recorded onto DVCPro HD for the main production and that the memory cards provide a temporary transient storage medium, prior to being transferred to the main storage medium where it can be used and then later archived. It is supported by small and large camcorders that record using the same compression scheme onto memory cards and tapes for a totally seamless HD post production.

These memory cards are currently quite expensive but the workflow is excellent - the success of the format will depend on how well producers adopt its novel post-production workflow but a strategic acceptance by the BBC that DVCPro HD using non-linear acquisition is its preferred choice should ensure the continued success of the format. Also, if you are worried about hard drive failures, there are a range of new RAID 0 hard drives which record all data twice independently, so that in the event of drive failure, you can be confident that your data will survive. This was the first P2 based non-linear capture unit released in late It is a great unit with excellent optics which comes in either UK or US versions.

It is small, lightweight and a perfect accompaniment to a single unit package using either the HDX, Varicam or now HPX units, as it uses the same compression scheme for easy post-production and the pictures closely match these camcorders too! All of the above can shoot in 25p and 50i in mode. Confusing huh?! Put simply, you need to decide whether you are shooting for Europe in which case you shoot 25fps or The US 24p or 30 fps and then whether you shoot in either mode or mode — that's pretty much it!

It delivers too but don't expect it to perform like an HDCAM HDW or Panasonic Varicam because this is a low cost camcorder, although we have performed latitude tests on this unit and found that it can resolve 7. The really clever thing about this camcorder is that it can shoot in the Pn format DVCPro HD, which means that you can shoot slow motion images without recording replicated frames like the varicam , so providing this format is compatible with your post-production suite the latest AVIDs and FCP 6 can do this , then you can shoot slow-motion images up to 60 frames per second 60Pn and edit them directly without the need for costly frame-rate conversion, necessary on Varicam.

Costs can be saved in post-production to help the budget and cameramen will be pleased with its standard size, weight and layout. Very filmic images with the popular Panasonic camera interface and processing. This camcorder is capable of recording data only if used with the FS-1 Firestore. Also interestingly, it can have a G10 archive unit mounted on it and then record to P2, though this is a bit clunky.

This camcorder will have a greater latitude than the HPX Also, it can be purchased with an AVC Intra option to also record in x on the AVC Intra codec, but I do not expect this to be that popular, since the camcorder only sub-samples at x, unlike its big brother, the HPX This is designed to work as a very high-end camcorder and will shoot true x as opposed to the other Panasonic camcorders in the range, which actually sub-sample at x However, full sampling of x at 4: Since P2 cards are a transitory storage medium, it will always be necessary to copy the data off the P2 cards onto some hard drives.

The Panasonic P2 Store offers a portable 60GB storage device to transfer up to minutes of P2 storage onto a portable hard drive without the need of a portable PC or Mac and then transfer the footage onto hard drives back at base. One of the drawbacks of the P2 store is that it does not have a display to have a visual check of the data that you are transferring - a green LED works when you have confidence in the technology but some of us need more than this, so we have the AG-HPG10 archive unit. However saying that, the P2 store is a very convenient unit to lay off some P2 material in the field without any ancillary equipment or external drives being needed — so don't rule out its usefulness altogether.

What is remarkable about this device is that it can drive USB2 or firewire hard drives without using a portable Mac or PC, so you are not limited to using small drives. Once you transfer your material onto hard drive, you can check the clip icons and metada off the hard drive to give you peace of mind. This means that you no longer need to carry a PC or mac with you on a long trip and can make safety archive copies of all of your media with confidence. It also has analogue and digital outputs, so that you are able to play P2 material directly on larger monitors.

One further comment here about drives - it may seem that the best thing to so is to use massive drives on location so that you have limited numbers of drives to work with but this is not necessarily the case. Firstly, only drives GB or less can be powered from the G10 unit via USB2, so it makes sense to use these and also, the latest Mac OS only allows certain quantities of drive numbers, so increasing the quantity of P2 cards used uses up this capacity quite quickly - we have found that the combination of using 16GB P2 cards and GB ruggedised USB-2 hard drives are the best combination when using the G10 archive unit.

Kit includes minute storage drive, 3 x external batteries plus charger and Bebop box unit. The drive can quickly be uploaded via firewire to a laptop PC with a firewire port and the media immediately used for HD post production on Final Cut Pro.

EVERYTHING THAT YOU WANTED TO KNOW ABOUT P2 BUT WERE TOO AFRAID TO ASK...

The unit is called a Duel Adapter and is available over the web on https: In order to answer the question of how much recording time a P2 Card is capable of, you have to determine two factors: Please review the included charts for further information. AVC Intra uses a different codec and using this different compression scheme, this also affects the recording durations. Please make sure you have the following software click accept on the website and continue to download.

We have experimented and found that the Lacie Ruggedised GB Drives have been very successful and only need one USB2 cable to transfer data and power down one cable. One caveat in the selection of the size of the drives is that every time that a P2 card is copied to hard drive using the G10 archive unit, the G10 creates a new hard drive partition on the hard drive.

This means that when you plug the drive into a PC or Mac, each partition appears as a separate hard drive letter.

P2 Viewer Plus Ver.2.3

There is however a limit of only 15 drive partitions allowed per drive, as Windows assigns each drive an alphabetic letter to define it. This means that you can only copy a maximum of 15 P2 cards to one drive irrespective of whether the drive is full or not. Our recommendation is that since only up to GB drives are powerable by USB2 and that this will permit 15 full 16GB P2 cards, this is the optimal size for location media drives in our opinion.

If you are using a PC or Mac to transfer P2 material using the Panasonic Contents Manager software, then the hard drive formatting type is irrelevant. Worse still, if you initialize a drive with existing data on it, then you will lose this data. Keep in mind that P2 Cards are storage devices for computer data. Because of that, you can use any computer and any storage device that you would use for any other computer data. There's nothing special to the process; there's nothing proprietary.

If you've ever made a backup of your computer's hard disk, you already know everything you need to know to back up or archive a P2 Card's contents. This free software utility organizes your P2 footage into an easily-managed database and gives you the ability to re-name and annotate clips and enter all sorts of descriptive metadata.

With P2 Cards, you're just working with computer data. Some companies make archival systems designed specifically to work with MXF files such as is found on P2 Cards. On a Macintosh computer, a P2 Card pops up on your desktop with a distinctive P2 icon or, on earlier versions of the Macintosh operating system, it'll show up as a generic storage icon.

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• How to Recover Deleted Data from Panasonic P2 Card?

However, playback performance is dependent on the speed and power of your computer hardware, of course. You can also use virtually all of the popular nonlinear editing software applications to view P2 footage on your computer. Yes, on Windows systems the P2 Card is treated just like any other removable storage device; you can format it, copy files off of it, or copy files to it, at will. In addition, P2-compliant NLE systems also allow you to write back to the card.

You can also use the P2 Contents Management System software to copy entire clips or groups of clips onto or off of your card. The Macintosh operating system won't let you copy files to a P2 Card from the Finder. However, you can use P2CMS to copy files to the card. Virtually every popular nonlinear editing system works with P2 Footage, including: One further advantage of P2 is that because it is so well established, you will not necessarily need the latest version of any software programme for it to be compatible with P2.

You would be well advised to ensure that the drivers are up to date to ensure that the latest P2 cards and peripherals are compatible. In addition, if your chosen editing application isn't on the list above, a third-party application may enable you to be able to use P2 footage. For example, Vegas users and Premiere Pro users can use P2 footage if they use the Raylight plug-in from www. Apple Final Cut Pro 6. Other NLE editing and server companies have announced future support. When I view thumbnail clips from my P2 card, I often see a letter, color or punctuation mark such as an exclamation point.

Please explain what these are and what they mean? There are several possible descriptive or explanatory icons that can show up on a P2 file's icon, including:.