Mac and me alien dad
Mitford Martin West Wickett Ivan J. Zimmerman Danny Cooksey Jack Jr Laura Waterbury Linda Jack Eiseman Scientist Richard Bravo Mover 1 Gary Brockette Doctor 2 Sherri Stone Butler Checkout Girl Joseph Chapman Doctor Sheila Chambers Girl 2 in Car Alyce Coleman Girl 1 in Car John Curtin Control Room Chief Andrew Divoff Policeman 2 James C. Sears Store Manager Bud Ekins Gardner George 'Buck' Flower Security Guard Raymond Forchion Police Officer 1 Tom Fuccello Ryan Ernie Fuentes Store Manager Michael Geary Technician 3 Heather Green Mars Sister J. Mover 2 Roger Hampton Kid Christopher Law Dancing Double for Mac Elena Moure Mars Mother Buckley Norris Highway Man Jack Ong Technician 2 J.
Jay Saunders Judge Lowell Sexton Counter Man Sean Simmons Sheriff's Deputy Sterling Swanson Police Captain Jack David Walker Mars Father Richard Wright Elrod Squire Fridell Blame fate, not McDonald's.
Mac and Me Alien Dad Template
The man behind MAC and Me approached altruism like any movie industry businessman might. Steven Spielberg's oblong E. The producer, who worked on McDonald's campaigns during his pre-Hollywood advertising years and remained close to the Ronald McDonald House Charities, saw a Biblical opportunity. Louis spent three years bargaining for the movie and television rights to the McDonald's brand.
Mac and Me () - IMDb
He extolled his vision for MAC and Me to anyone and everyone at the company: Not only could there be a cardboard MAC in every McDonald's advertising the theatrical run, then pushing video cassettes when the time came, but the movie's profits would benefit the Ronald McDonald Children's Charities.
During his hustle to obtain the restaurant's rights, Louis met Jim Williams, the president and CEO of Golden State Foods, a food processor and distributor that supplied meat, ketchup, lettuce, onions, and the secret Big Mac sauce for McDonald's franchises around the country.
With money secured, Louis started the easy part: Louis eyed Raffill because "he could deal with children, he could deal with animals, so he fit the persona that I needed out of a director. There was a crew on standby, ready to shoot something. As Raffill considered the requirements of working with alien puppetry and his disabled actor, Louis made sure MAC and Me would distinguish itself from its predecessor.
T," he says.
"Hey, look at all the tropes. This looks pretty nice!"
Key differences included giving MAC a family reunited at the end, in a court scene where the aliens are legally awarded immigration status -- seriously and giving the main character special talents. MAC could ride a bike.
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MAC could stretch across the windshield of a car like sentient glob of Gak. Louis never met Steven Spielberg, but confirms his producer at the time, Kathleen Kennedy now President of Lucasfilm , saw and approved of the finished product. Both Raffill and Louis say McDonald's offered only a few notes on the script. The director says MAC and Me needed to live up to McDonald's brand -- dress code, food code, fun image -- but the intention was to promote the House Charities, not the hamburgers though Raffill says the company did provide lunch.
There was just one nugget McDonald's insisted upon: Ronald McDonald shouldn't appear on screen. Except he did, and that was an artistic choice. But anyone watching the movie in could tell you that only two scenes would stand the test of time. The first is Paul Rudd's personal favorite.
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After catching MAC rummaging through his new home, Eric tries to catch the extraterrestrial critter -- and winds up ramping off a cliff in his wheelchair. Before he can drown in the lake below, MAC dives in and saves the day. Jade Calegory actually performed the hill portion of the stunt himself. Crew members took up positions to catch Calegory, and wheel stabilizers ensured he wouldn't fall too quickly, but there were still dangers. It's very hard to make a wheelchair work, because it's not a very balanced thing.
When you start going fast in a wheelchair, you place tremendous risk on the child, so you have to try and figure out how to do that in a controlled fashion.
With the right director, who needs a script?
Then there's the dance sequence, a four-and-a-half-minute choreographed wonder that starts in a McDonald's parking lot before erupting in the middle of the restaurant, dance fever spreading through every casual Quarter Pounder-eater like it's Contagion 2: Electric Boogaloo. MAC, dressed in a bear costume, breaks on the ordering counter as cashiers provide back-up.
Football players, 9-year-olds, and Ronald McDonald dance their hearts out. And in heartbreaking juxtaposition, Eric, confined to his wheelchair, weaves through the crowd.
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Why is this scene in the movie? Well, why not? That's why that was in there. Raffill and Louis were careful about product placement.